On multiple occasions, in contemporary art, the content has phagocytosed everything that was around it and the message reached the viewer as a document devoid of artistry; in other stages of art history it was the beautiful container that was unconcerned with the public, not trying to communicate anything: the interaction was exhausted in a hedonistic (and aestheticist) monologue. They are extreme. And the work of Aixa does not move in the extreme, but in the balance. Her work communicates, and at the same time moves us (knowing what or where he moves requires the active participation of all actors), a message articulated in balance, harmonious, captivating.
Ivan de La Torre Amerighi
