Moving the image that is proposed to the field of plastic arts, we could infer from the work of Portero that symbols cross the borders of time, sprouting and coming from the most ancestral consciousness of culture and are projected towards the present and the future by creative action with a new hightened sense each time. That is why, perhaps, all the images analysed backwards and the interpretation raised is no more than epidermic speculations because the ultimate intention of its appearance and meaning could only be offered by the artist herself.
Ivan de La Torre Amerighi
