In the series of books in showcases Poiesis (2015-2018), the torn-up leaves barely allow a narrative coherence to be glimpsed while letting perceive the following pages; neither from the first ones -for their lack- nor from the last ones -by concealment- can we articulate a coherent narration. Portero steals from the viewer the possibility of a logical understanding, the one to which he is accustomed in the continuous confrontation with the image, but it gives him the possibility of interpreting it…
Ivan de La Torre Amerighi
